Taylor & Francis期刊
作者:Joan Kee
来源:[J].Law & Literature, 2016, Vol.28 (2), pp.187-208Taylor & Francis
摘要:Abstract(#br)In 1968, Yoko Ono and John Lennon directed Film No. 5 (Rape or Chase) , a 77-minute-long color film based on Ono's Film No. 5 Rape (or Chase ), a set of printed instructions directing readers to chase a girl on a street with a camera. Often known simply as Rape , the...
作者:Nicholas Hartigan , Joan Kee
来源:[J].Art Journal, 2016, Vol.72 (4), pp.78-83Taylor & Francis
摘要:What does it mean to take a stand for sculpture now? Such is the question Lily Cox-Richard asks in the appropriately titled series The Stand (Possessing Powers). Here she selects, edits, and then re-creates elements of the works of Hiram Powers (1805–1873), the presumptive “...
作者:Joan Kee , Spyros Papapetros ...
来源:[J].The Art Bulletin, 2012, Vol.94 (4), pp.490-514Taylor & Francis
作者:Joan Kee
来源:[J].Art Journal, 2001, Vol.60 (3), pp.66-75Taylor & Francis
摘要:In discussions of contemporary Asian visual art, the one nation, region, or locality that always seems to escape scrutiny is Singapore. It is too perfect, and thus too boring. We, in the West, as well as in other parts of Asia—insofar as such blanket terms as the “West”...
作者:Joan Kee
来源:[J].Third Text, 2011, Vol.25 (5), pp.563-576Taylor & Francis
摘要:How do we write a history of contemporary art? Globalisation is frequently identified as a major characteristic of contemporary art since the late 1980s, yet it remains wedded to notions of progress and innovation, as well as to a centre-versus-periphery world-view that pres...
作者:Joan Kee
来源:[J].Third Text, 2011, Vol.25 (4), pp.371-381Taylor & Francis
摘要:In the past decade, contemporary art has become one of art history's most urgent questions. The question has special urgency in light of art's globalisation, a phenomenon that might be usefully analysed through the works identified as ‘Contemporary Southeast Asian art’. Comp...
作者:Joan Kee
来源:[J].Art Journal, 2010, Vol.69 (3), pp.88-113Taylor & Francis
摘要:Among contemporary art's blind spots, few are as apparent as contemporary ink painting. Despite accounting for a considerable proportion of art making in East and Southeast Asia as duly reflected by a large and enthusiastic collector base, ink painting rarely figures in chronicle...


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