利物浦大学出版社
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作者:María Paz Peirano
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.227-250LUP
摘要:This article explores the construction of deterritorialized intimate spaces and the materialities of cultural memory in Tiziana Panizza’s trilogy of experimental documentary films, Dear Nonna: A Film Letter (2004), Remitente: Una carta visual [‘Sender, a Visual Letter’]...
作者:Geoffrey Maguire
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.181-203LUP
摘要:Marcelo Piñeyro’s Kamchatka (2002) and Benjamín Ávila’s Infancia clandestina (2011) are important examples of the recent cultural turn towards child protagonists in cinematic representations of Argentina’s last military dictatorship. Both films reflect, to different ext...
作者:Rachel Randall
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.275-299LUP
摘要:This article interrogates two contemporary documentaries that explore the roles and experiences of domestic and childcare workers in Brazilian society: Consuelo Lins’s Babás (2010) and Gabriel Mascaro’s Doméstica (2012). In order to examine their formal differences, the...
作者:Paul Merchant
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.251-273LUP
摘要:The work of Chilean documentary film-maker Ignacio Agüero demonstrates a constant preoccupation with the home and its environs. In his film El otro día (2012), his home is presented as the repository of personal memory and, more problematically, of national history. Agü...
作者:Adriana Laura Massidda
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.159-179LUP
摘要:This article analyses the ways in which two contemporary Argentine films, Villa (Ezio Massa, 2013) and Diagnóstico esperanza (César González, 2013), portray domestic space. It argues that, in different ways, they both challenge the state notion of home as a cell of a larger,...
作者:Liz Harvey-Kattou
来源:[J].Journal of Romance Studies, 2018, Vol.18 (2), pp.205-225LUP
摘要:‘¿Por qué hay tantas rejas? Todas esas casas parecen jaulas’ [‘Why are there so many bars? All these houses look like cages’]. Hernán Jiménez’s central character, Antonio, poses this question in the national box office hit El regreso (2011), upon returning to his h...
作者:Oriel C. L. MacLennan
来源:[J].Quebec Studies, 2018, (65), pp.5-19LUP
摘要:Drawing on archival collections of diaries and letters held at the New York Public Library, Yale University, Bryn Mawr College, and Libraries and Archives Canada, as well as published memoirs and correspondence relating to Marie-Claire Blais, Roger Straus, Edmund Wilson, and...
作者:Matthew Wargent , Gavin Parker
来源:[J].Town Planning Review, 2018, Vol.89 (4), pp.379-402LUP
摘要:Neighbourhood planning is arguably the most radical innovation in UK neighbourhood governance in a generation, with over 2,200 communities in England now involved in statutory development planning at the neighbourhood level. Following incremental policy reforms, we argue that nei...

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