作者:Jaimie Baron
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.107-110Intellect Ltd
摘要:One pronounced effect of Fruhauf’s Blow-Up is the discomfort it produces due to the sound of breathing that accompanies the image. In this reediting of footage demonstrating CPR, not only are the dummy and the discarded footage resuscitated; we are also forcibly synched to t...
作者:Zach Finch
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.49-52Intellect Ltd
摘要:Remembrance demonstrates how Alfred, and indeed everyone, must edit memory and sensory information to act with purpose. To accomplish this, the film portrays a character’s struggles with an extreme form of photographic memory, synaesthesia, and newfound convictions through i...
作者:Stephanie Morgenstern
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.5-7Intellect Ltd
作者:Michael Betancourt
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.117-120Intellect Ltd
摘要:Blow-Up entails rhetorical doublings of action and medium that attend to the material processes of cinema: sampled images, re/photography, editing, the re/animation of ‘life’ on-screen by using found footage separated from its original function in a meditative demonstration ...
作者:Florentina C. Andreescu
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.57-60Intellect Ltd
摘要:Remembrance’s cinematic events generate an urge for the two characters to throw themselves into the world anew. Alfred feels an impulse to embrace fully his agency and the wondrous vivacity of his sensorial world, while Aurora yearns to discover the mysterious nature of her ...
作者:Neepa Majumdar
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.103-106Intellect Ltd
摘要:This analysis focuses on Blow-Up’s play with synchronous and asynchronous sound; the use of breath and frame size to join the visual and sonic dimensions of the concept of blowing up; and its commitment to the embodiment of both viewer and the material of cinema.
作者:Jerry White
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.79-81Intellect Ltd
摘要:Remembrance highlights the possibilities of a modest commercial cinema that prioritizes craftsmanship and focus. This has special importance in Canadian and Quebec cinema, and Remembrance’s afterlife as the three-season Canadian TV show X-Company raises important questions a...
作者:Richard Raskin
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.98-102Intellect Ltd
作者:Kornelia Boczkowska
来源:[J].Short Film Studies, 2020, Vol.10 (1), pp.111-115Intellect Ltd
摘要:The article analyses how Blow-Up counteracts the Freudian death drive through hybridizing the materialist-digital dimension of the CPR imagery and the sonic-haptic experience of breathing. Consequently, while operating within the structural film and expanded cinema framework...


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