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作者:Stephen Deutsch
来源:[J].The New Soundtrack, 2017, Vol.7 (2), pp.168-171EUP
作者:Angela McArthur , Stefano Kalonaris
来源:[J].The New Soundtrack, 2017, Vol.7 (2), pp.95-110EUP
摘要:Spatial treatment of diegetic sound in virtual reality (VR) is generally moderate, conceding to environmental realism, particularly for cinematic VR. The affordances of the medium far exceed this strategy, but require consideration and skills in areas which may be distributed acr...
作者:Simone Dotto
来源:[J].The New Soundtrack, 2017, Vol.7 (2), pp.121-136EUP
摘要:Most of the recent theoretical contributions in film and media studies claim an adequate consideration of sound reproduction in its material features. With the aim of underlining how two distinct conceptions of materiality (concerning the physical composition of reproduced sound ...
作者:Sarah Irving-Stonebraker
来源:[J].Britain and the World, 2017, Vol.10 (2), pp.197-216EUP
摘要:Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic...
作者:Meri Kytö
来源:[J].The New Soundtrack, 2017, Vol.7 (2), pp.153-163EUP
摘要:This article looks into the practice of sound post-production in the Turkish Yeşilçam cinema during the 1960s and 1970s through the work of sound designers and sound engineers. There has been a reluctance to study these films as culturally valuable sonic artefacts b...
作者:Henrique Rocha De Souza Lima
来源:[J].The New Soundtrack, 2017, Vol.7 (2), pp.137-151EUP
摘要:Some cinema theories conceive film as a kind of cartographic technology. This status is attributed to the film's capacity to trigger a specific mode of logical reasoning, which is based on the semiotic category of diagram ( Conley 2007 ; Deleuze 1985 ). This paper focuses on the ...

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