爱丁堡大学出版社
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作者:Judith Keene
来源:[J].Cultural History, 2017, Vol.6 (1), pp.80-101EUP
摘要:Picasso produced a large canvas, Massacre en Corée in early 1951 in response to reports of massacres taking place in the Korean War. Although, by then, he was probably the most famous painter of the twentieth century and his great work on the Spanish civil war, Guernica, e...
作者:Dario Vidojkovi&cacute
来源:[J].Cultural History, 2017, Vol.6 (1), pp.37-56EUP
摘要:This article deals with the cinematic representations of warfare violence and with its aestheticization in early films. It argues, in particular, that the patterns and narrative structures of (anti-)war movies were laid out during the First World War. Among the first films establ...
作者:Marina Xiaojing Wang
来源:[J].Studies in World Christianity, 2017, Vol.23 (1), pp.19-34EUP
摘要:This paper focuses on the Church of Christ in China – a visible fruit of the church unity movement in early twentieth-century China – as a case study. Through examining its formation and development from 1927 to 1937, especially its progress in the advocacy of ecumenism in C...
作者:Irina Kantarbaeva-Bill
来源:[J].Cultural History, 2017, Vol.6 (1), pp.21-36EUP
摘要:Vasily Vereshchagin (1842–1904) was one of the most well-known Russian artists of the second half of the nineteenth-century and the beginning of the twentieth century. Strongly influenced by the popular French Neo-Classicist and Orientalist Jean-Léon Gérome, Ve...
作者:Arun W. Jones
来源:[J].Studies in World Christianity, 2017, Vol.23 (1), pp.4-18EUP
摘要:While the western Christian missionary desire to ‘civilise’ Christians from other cultures has been well documented and researched, the desire of local Christians to appropriate western civilisation in the face of missionary resistance to such appropriation has n...

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