全部文献期刊会议图书|学者科研项目
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作者:Susanne Köller
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2019, Vol.67 (2), pp.163-180
摘要:Abstract Westworld is a preeminent example of Peak TV: it has fully embraced the current context of production and reception and constructs its narrative with that in mind. In the tradition and evolution of television series which Jason Mittell deemed ‘Complex TV’ a decade a...
作者:Franziska Quabeck
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2018, Vol.66 (4), pp.461-477
摘要:Abstract In Swing Time , her newest novel to date, Zadie Smith makes use of a first-person narrator for the first time in her career as a writer, and this change in narrative perspective is crucial to our understanding of the novel. Her narrator is slightly odd and we come t...
作者:Isabel Soto
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2017, Vol.65 (2), pp.203-217
摘要:Abstract The work of Langston Hughes and Richard Wright provides a unique entry point into an under-studied area of Black Studies: the Spanish role in the construction of racial categories and racially determined practices. My essay examines how Hughe’s and Wright’s reaction...
作者:Paul Van Eecke , Katrien Beuls
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2018, Vol.66 (3), pp.341-355
摘要:Abstract Computational construction grammar aims to provide concrete processing models that operationalise construction grammar accounts of the different aspects of language. This paper discusses the computational mechanisms that allow construction grammar models to exhibit,...
作者:Naomi Truan
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2019, Vol.67 (3), pp.307-337
摘要:Abstract This paper contributes to the discussion on the reference to ‘the people’ in contemporary politics. Illuminating the tension raised by representation, this corpus-assisted analysis investigates how Members of Parliament discursively construct the necessity to repres...
作者:Hendrik De Smet
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2018, Vol.66 (3), pp.329-340
摘要:Abstract Speakers may use language creatively because they want to be extravagant, or because they need to communicate content for which no conventional coding solution exists. In addition, however, there is a third motivation for creativity that is both more fundamental and...
作者:Katja Kanzler
来源:[J].Zeitschrift für Anglistik und Amerikanistik, 2019, Vol.67 (2), pp.147-162
摘要:Abstract This article approaches HBO’s Veep through the lens of what Dan Hassler-Forest (2014) has described as the meta-genre of ‘Quality TV.’ Against the backdrop of ‘Quality TV’s’ conspicuous investment in masculinity, I ask how Veep actualizes the meta-genre’s ...

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