全部文献期刊学位论文会议报纸专利标准年鉴图书|学者科研项目
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作者:Juan Albarrán Diego
来源:[J].El Futuro del Pasado : Revista Electrónica de Historia, 2010, Vol.1, pp.37DOAJ
摘要:Desde hace varias décadas, la Historia del Arte, como disciplina pretendidamente científica, viene mostrando una enorme incapacidad a la hora de estudiar las prácticas artísticas contemporáneas. Atrincherada en viejos criterios metodológicos, los historiadoresdel arte d...
作者:Juan Albarrán Diego
来源:[J].Foro de Educación, 2007, Vol.5 (9), pp.297-309DOAJ
摘要:The present article analyzes a wide range of artistic manifestations related to non-standard sexualities represented in queer and feminist theoretical approaches included in well known texts. Three main branches of research, among many others, are suggested. These have been devel...
作者:Juan Albarrán Diego
来源:[J].Reason & Freedom, 2009, Vol.7 (11), pp.133-144FahrenHouse
摘要:Since the birth of photography, the image has been used as a medium of con- trol, vigilance and repression. In this paper we review some of the last two centuries photogra- phical uses focusing three cases where the photography has played a fundamental role as a tool to purg...
作者:Juan Albarrán Diego
来源:[J].The Future of the Past, 2010, Vol.1, pp.37-52FahrenHouse
摘要:Since many decades ago the Art History, as a scientific discipline, has showed an enormous disability to studying the artistic contemporary practices. Entrenched in old methodological criteria, the art historians reject any issue from which we are not separatedby a considerable t...
作者:Juan Albarrán Diego
来源:[J].January-December, 2007, Vol.5 (9), pp.297-309FahrenHouse
摘要:The present article analyzes a wide range of artistic manifestations related to non-standard sexualities represented in queer and feminist theoretical approaches included in well known texts. Three main branches of research, among many others, are suggested. These have been ...
作者:Juan Albarrán Diego
来源:[J].Spanish Transition (1975-1982), 2008, Vol.6 (10), pp.167-184FahrenHouse
摘要:In this paper we are intending to do a brief survey of the Spanish artistic panorama from, nearly, the end of the development economic policies («des- arrollismo», 1968) to the definitive stablishment of the democracy with the PSOE first electoral victory (1982). We will tak...

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