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作者:Anne Sedes
来源:[J].Contemporary Music Review, 2005, Vol.24 (4-5), pp.327-334
摘要:This article evokes the context in which Horacio Vaggione, the composer-theoretician, developed the basis of his thought, between his work in an electroacoustic, or later a digital, studio and the evolution of musical informatics, stressing the importance of the micro-tempor...
作者:Christine Webster , François Garnier , Anne Sedes
来源:[J].International Journal of Virtual Reality, 2017, Vol.17 (2)
摘要:Presentation of the Empty Room project, dedicated to the exploration of new musical composition and spatialization methods in virtual 3D spaces developped on multiplayer or mono player technologies such as Second Life, Open Simulator and Unity 3D, using the latest video game and ...

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