全部文献期刊会议图书|学者科研项目
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作者:Junkyu Oh , Yong-Ho Seo , Taesoo Kwon ...
来源:[J].Int. J. of Sensor Networks(IF 1.386), 2015, Vol.19 (3/4), pp.234-241
摘要:We present an efficient watercolour painting system, which can work interactively on low-powered computing machines, even mobile devices. A subdomain based lattice Boltzmann method (LBM) is applied to guarantee realism of the simulated watercolour painting output and to enhance t...
作者:Sotiria Kogou , Andrei Lucian , Sonia Bellesia ...
来源:[J].Applied Physics A(IF 1.545), 2015, Vol.121 (3), pp.999-1014
摘要:Abstract(#br)A holistic approach using non-invasive multimodal imaging and spectroscopic techniques to study the materials (pigments, drawing materials and paper) and painting techniques of watercolour paintings is presented. The non-invasive imaging and spectroscopic techniq...
作者:Moszkowicz
来源:[J].Journal of Visual Art Practice, 2015, Vol.14 (2), pp.85-99
摘要:This article explores the value of juxtaposing an illustrator's individual mode of creative practice alongside a relevant theoretical text, specifically arguing that the wider social concerns of philosophy can amplify and make explicit the implicit concerns of the practition...
作者:Changhang Yan*
来源:[J].Journal of Contemporary Educational Research, 2020, Vol.4 (1)
摘要:Since the 20th century, human art has gradually transformed into contemporary forms and comprehensive painting has started to emerge. As such, the teaching of watercolour painting should not strictly adhere to rules; colleges and universities also need to adapt their teaching me...
作者:R. Mulholland , D. Howell , A. Beeby ...
来源:[J].Heritage Science, 2017, Vol.5 (1)
摘要:There are multiple challenges in analysing pigments in historic watercolour paintings on paper, and typically non-invasive, in situ methods are required. Recent developments in portable analytical instrumentation have made this more accessible to heritage institutions, but m...
作者:D.L. Loe
来源:[J].Lighting Research & Technology(IF 1.197), 1982, Vol.14 (4), pp.173-192
摘要:The lighting of paintings suffers from the need to meet two conflicting requirements: the visual requirement of the gallery visitor and the conservator's requirement to preserve the works of art. The project explores by experiment in a full-scale mock-up gallery the lighting requ...
作者:Penelope Banou , Brian Singer
来源:[J].The Conservator, 1999, Vol.23 (1), pp.77-82
摘要:Abstract(#br)The appearance of a ‘white cast’ on the blue areas on a nineteenth‐century watercolour is described. Investigation using energy dispersive x‐ray analysis and x‐ray diffraction showed that the white cast consisted mainly of an efflorescence containing calci...

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