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作者:Giles Simon Fielke
来源:[J].The International Journal of the Image, 2014, Vol.4 (4), pp.93-102CGRN
摘要:Ben Russell’s film “Let Each One Go Where He May” (2009) may not at first appear to recall German cultural theorist Aby Warburg’s idiosyncratic image organisation,“Der Bilderatlas Mnemosyne” (1926-29). However, their investigations into the image and into gesture as...
作者:Aber Salem Sasi Aboalgasm
来源:[J].The International Journal of the Image, 2014, Vol.4 (4), pp.71-83CGRN
摘要:The article aims to investigate how digital tools can significantly develop the artistic ability in children and promote their general creativity. It intends to focus on children between 9-10 years old in a classroom environment. The purpose of this particular study is to te...
作者:Pablo Petrucci
来源:[J].The International Journal of the Image, 2014, Vol.4 (2), pp.109-118CGRN
摘要:... While multiple meanings are sometimes viewed as problematic, the following paper will explore the image as illusion in relation to distinct definitions of the uncanny. Each definition demonstrates how plurality of meaning still leads us to understanding the psychological a...
作者:Stanislaus Iyorza
来源:[J].The International Journal of the Image, 2014, Vol.4 (2), pp.53-59CGRN
摘要:This paper sets out to examine the ideals of rebranding in the national image rebuilding process, fetching examples from Nigeria’s experience. The discourse also examines the concepts of image and the impact of anti-social behaviour of citizens on the nation’s image within the international...
作者:Nazli Tumerdem
来源:[J].The International Journal of the Image, 2014, Vol.4 (4), pp.103-111CGRN
摘要:With the emergence of the aerial photo, the “God’s eye view’ was brought to the perception of the ubiquitous man. Today, the aerial view of the Earth is much more accessible due to the prevalence of digital mapping software with user-friendly interfaces. Moreover, mapping ...
作者:Hyacinth Chidozie Ngumah
来源:[J].The International Journal of the Image, 2014, Vol.4 (2), pp.1-26CGRN
摘要:The paper is aimed at exploring the practices of Nigerian visual arts from a historical approach. It specifically identifies the visual art forms in the pre-colonial, colonial, and post-colonial periods, bringing to light the uniqueness in the various art practices, documenting t...
作者:Jesús Segura Cabañero , Gerardo Robles Reinaldos , Toni Simó Mulet
来源:[J].The International Journal of the Image, 2014, Vol.4 (1), pp.87-96CGRN
摘要:... The expanded concept of media art makes the boundaries of the transmission of the image itself obsolete, and provides another means of expression and interpretation in the artistic process, for example, in media installation art. The invention and search by the viewer of spat...
作者:Elisabeth Hostetter , Eun Jung Choi , Melanie Stewart
来源:[J].The International Journal of the Image, 2014, Vol.4 (2), pp.61-67CGRN
摘要:The divide between the projected image and the performer inspired choreographer Melanie Stewart and the Da-Da-Dance Project to devise a one-hour, cross-disciplinary, multi-cultural movement theatre piece titled “Sticky.” The emotionally charged duet dissects romantic relat...
作者:Janet Blatter
来源:[J].The International Journal of the Image, 2014, Vol.4 (3), pp.13-28CGRN
摘要:When is an image not just a picture? This paper investigates the role of sketching within the practice of designing time-based or sequential art. This interdisciplinary (cognitive, semiotic, and literary theory) research describes the polysemic and multifunctional nature of image...
作者:Rochelle Haley
来源:[J].The International Journal of the Image, 2015, Vol.6 (4), pp.1-12CGRN
摘要:... An account of the act of drawing is given by reflecting on first person experience from the perspective of the artist, discussions with collaborating dancers, choreographers and observers and study of recorded material of the process. Through the lens of contemporary philoso...

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