同心学术联合会
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图书
作者:Kenneth DiMaggio
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.1-10CGRN
摘要:Today it is a given that a popular blockbuster movie like “Star Wars” will have numerous, licensed incarnations ranging from clothing and china to action figures. The spin-offs from a popular movie may seem to be a modern creation. In the mid-nineteenth century, a best-selli...
作者:Gonzalo Munoz-Vera
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.43-56CGRN
摘要:...” The ongoing predominance of the theory and practice perspective in both painting and architectural representation played a crucial role in its outcome. Thus, a balanced combination between mural painting and architecture bestowed a life-like illusion using a remarkable m...
作者:Andrew Collis , Colin Rosewell , Richard Morris
来源:[J].The International Journal of the Image, 2018, Vol.8 (4), pp.91-96CGRN
摘要:... that there must be some personal human encounter between artist and sitter either during or throughout the creation of the work. This article explores the significance of the “painting from life” clause as stipulated by specific gallery and competition stakeholders and...
作者:Carlo Comanducci
来源:[J].The International Journal of the Image, 2018, Vol.9 (2), pp.23-35CGRN
摘要:... Not just the memory we may retain of the film after the projection—which inevitably fades and soon enough either changes or is lost—but the memories we already have at the moment of watching: all those associations, souvenirs, and traces of encounters that give shape to...
作者:Atsuhide Ito
来源:[J].The International Journal of the Image, 2018, Vol.9 (2), pp.1-5CGRN
摘要:... Physicists have discovered methods of translating ionizing radioactivity into images. While scientific images of radiation have been subsequently used for medical and military purposes, artists have also captured and translated radioactivity into images. The article discusses...
作者:Hsin Yi Wu , Wen-Shu Lai
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.57-65CGRN
摘要:... First, the dream-image as its virtual aspect is based on memories related to an individual’s being and time as discussed by Gilles Deleuze’s theory of time. Second, the sequences of the character’s contemplation and imaginative floating are significant to his faith...
作者:Félix Lambert
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.67-86CGRN
摘要:In this article, we explore how geometric objects named fractals provide a perfect subject to understand the notion of the sublime. In doing so, we see how their definition as one-dimensional objects, two-dimensional objects, and then as three-dimensional objects allows visual in...
作者:Nickolas Lambrianou
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.19-29CGRN
摘要:Our understanding of the image in relation to time and temporality has been radically transformed by certain practices within contemporary art since the 1960s. What are the motivations for this challenge, and what is at stake? In this paper, I utilize an emerging critical ca...
作者:Patricia Wetzel
来源:[J].The International Journal of the Image, 2018, Vol.9 (2), pp.7-22CGRN
摘要:... Much advertising, in both Japan and the West, exploits “resonance”—a pairing of image with text in the service of word play. But little has been done to explain how Japanese advertising compares to its Western (primarily American) counterpart. Semiotic analysis of ...
作者:Rachel Pool
来源:[J].The International Journal of the Image, 2018, Vol.9 (2), pp.37-53CGRN
摘要:... The image of the Art Deco style in American society has been misconstrued as a movement based off the industrial and automobile progress America experienced during and after World War I. However, the rapidly moving design and architectural trend that swept across America...

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