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作者:Kathie Carpenter
来源:[J].The International Journal of the Inclusive Museum, 2018, Vol.11 (1), pp.13-25CGRN
摘要:This article describes and analyzes signage in children’s museums, including how their wording, content, salience, and number are informed by culturally specific assumptions about appropriate ways to communicate with children. The findings show that most museum signage consi...
作者:Sara Khorshidifard
来源:[J].The International Journal of the Constructed Environment, 2017, Vol.8 (2), pp.49-72CGRN
摘要:... Toward the middle of the century, Lalehzar became the country’s hub for cinema and theatre goers. This important street today is a dilapidated shopping district that contains Iran’s main retail corridor for electrical appliances. Lalehzar’s decline is mostly a result o...
作者:Su Ansell
来源:[J].The International Journal of the Image, 2017, Vol.8 (2), pp.1-23CGRN
摘要:As a moving image practitioner, an experimental, poetic filmmaker, I am currently engaged in creating an installation project, which questions notions of ownership around the female body and representation. “Breastwork” is a single channel video wall installation created ...
作者:Reza Foroughi
来源:[J].The International Journal of the Constructed Environment, 2017, Vol.8 (2), pp.15-26CGRN
摘要:... In the Gilan region, located in northern Iran on the southern coast of the Caspian Sea, the climate plays a fundamental role in the diversity and formation of vernacular residential buildings. Climatic factors such as sunlight, wind, excessive rain, and high humidity have s...
作者:Mira Thurner
来源:[J].The International Journal of the Inclusive Museum, 2017, Vol.10 (3), pp.1-11CGRN
摘要:Programming and education have been continually linked to the functionality of public art museums. The focus, traditionally, has been on school, family, or community groups, with specific pedagogy designed to augment formal learning through education kits, training for teachers, ...
作者:Kevin Nute , Zhuo Job Chen
来源:[J].The International Journal of the Constructed Environment, 2018, Vol.9 (1), pp.1-18CGRN
摘要:... Subjects were asked to numerically evaluate a series of drawn images of rooms in which a range of visible temporal cues was independently varied. Initial results suggest that rooms that include sloping ceilings, perceptible variation, and views of other spaces are positively ...
作者:Kenneth DiMaggio
来源:[J].The International Journal of the Image, 2018, Vol.9 (1), pp.1-10CGRN
摘要:Today it is a given that a popular blockbuster movie like “Star Wars” will have numerous, licensed incarnations ranging from clothing and china to action figures. The spin-offs from a popular movie may seem to be a modern creation. In the mid-nineteenth century, a best-selli...
作者:Wenhua Li , Cees de Bont
来源:[J].The International Journal of the Image, 2017, Vol.8 (2), pp.99-113CGRN
摘要:The digital technology revolution has changed the ecosystem of the advertising industry. New media have brought major changes and challenges to the creation, diffusion, and influence of advertising images. First, small teams and individuals have replaced 4A advertising companies ...
作者:Shih-Yu Chen
来源:[J].The International Journal of the Inclusive Museum, 2017, Vol.10 (3), pp.13-22CGRN
摘要:... I then discuss changes in the representations of Indigenous peoples within post-war Taiwan and how these changes relate to the complex search for national identity, which invokes echoes of the Japanese colonial period and the dominance of Han Chinese heritage. I utilize J...
作者:Lama Abuhassan
来源:[J].The International Journal of the Image, 2017, Vol.8 (3), pp.85-101CGRN
摘要:... In order to do this, the article uses a scene from the last sequence from the 1991 film The Silence of the Lambs and analyses the event’s components: namely the subject and the atmosphere being encountered. Drawing upon Hanich’s categorization of the cinematic emotion i...

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