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作者:Miik Green
来源:[J].The International Journal of Arts Theory and History, 2015, Vol.10 (2), pp.19-27CGRN
摘要:This paper examines contemporary arts practice and interdisciplinary modes of exchange. It argues for a framework recognising the importance of borders, specifically to cross-disciplinary dialogue. Syzygy is an astronomical term, when three planets align. This has become an in...
作者:Meili Yang
来源:[J].The International Journal of Arts Theory and History, 2014, Vol.9 (1), pp.11-25CGRN
摘要:The occurrence of "furnace transmutation" is probably simply an accidental event in the ceramic manufacturing process, and also probably the result of some new or innovative technologies being tested and challenged by potters with a certain degree of unpredictability or unco...
作者:Cathryn Perazzo
来源:[J].The International Journal of Arts Theory and History, 2014, Vol.8 (3), pp.63-68CGRN
摘要:A commonly stated desire of the contemporary novelist is to avoid preaching, or sounding didactic. There could even be a tendency to steer away from tackling the big issues of our times, perhaps for fear of sounding heavy handed, or alienating readers. The focus of this paper is ...
作者:Penelope Stannard
来源:[J].The International Journal of Arts Theory and History, 2014, Vol.8 (3), pp.19-27CGRN
摘要:...” Findings from a case study indicate that suburban communities have a history of developing and engaging with cultural policy directions.
作者:Christian Morgner
来源:[J].The International Journal of Arts Theory and History, 2016, Vol.11 (2), pp.39-48CGRN
摘要:A great number of books bear titles such as Inside the Artist’s Studio and Artists in Their Studios. However, these books mostly present collections of interviews and pictures, not systematic studies of the artist and the artist’s studio. They do not address how the studio i...
作者:Cristina Manzano Espinosa
来源:[J].The International Journal of Arts Theory and History, 2014, Vol.8 (2), pp.47-54CGRN
摘要:Painters' interest in expanding their vision about art beyond the canvas finds its place within the conceptual perspective of art creation. The need to reassure their expression and make their art more meaningful and influential gives us the key to that perspective, which we...
作者:Sara Choudhrey , Ania Bobrowicz
来源:[J].The International Journal of Arts Theory and History, 2015, Vol.11 (1), pp.1-13CGRN
摘要:There has been little change to definitions offered for the term “Islamic art” in the last 40 years. Alongside literary definitions, readers are presented with visual examples and sub-categories to help understand what the term might be applied to. With discussion on the und...
作者:Krista Rodin
来源:[J].The International Journal of Arts Theory and History, 2016, Vol.11 (2), pp.23-27CGRN
摘要:Myanmar, formerly known as Burma, is a country blessed with a rich heritage of sacred art and architecture. During the medieval period Bagan was the center of power for the Pagan Empire and the site where most major sacred buildings were constructed. Members of the royal fam...
作者:Joshua Polster
来源:[J].The International Journal of Arts Theory and History, 2015, Vol.10 (4), pp.15-22CGRN
摘要:"Two Mondays" rehearsed and played in the prisoner’s dining room at Latchmere House, and then toured to Nescot College, Roehampton University, and for the general public at The Cockpit Theatre. This study examines how Miller’s work, a rarely performed or studied one act play...
作者:Safial Aqbar Zakaria , Azizi Bahauddin , Nor Zarifah Maliki ...
来源:[J].The International Journal of Arts Theory and History, 2014, Vol.8 (4), pp.41-52CGRN
摘要:The Malay cultural heritage perspective of light is not fully understood as far as its interpretation in exhibition design is concerned. Thus, this paper focuses on the understanding of the philosophy of light and its interpretation in a contemporary exhibition design context. Cu...

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