视觉文化与性别杂志
期刊
会议
图书
作者:Sheri R. Klein
来源:[J].Visual Culture & Gender, 2012, Vol.7VCG
摘要:Drawing upon anthropology, sociology, linguistics, cartography, and feminist theory, I use a layered account to map my experiences as a working class, first generation college graduate and professsor within higher education to better understand my struggles as a border cross...
作者:Sheila Hassell Hughes
来源:[J].Visual Culture & Gender, 2012, Vol.7VCG
摘要:Claiming public space—and challenging the relegation of women’s bodies and lives to the private sphere—is an old feminist strategy, one which works by heightening anxieties around the gendered contradictions of the public/private divide. Including images of paintings as...
作者:Mari Mäkiranta
来源:[J].Visual Culture & Gender, 2012, Vol.7VCG
摘要:In this essay, I analyze photography as family ritual, particularly the act of posing as repetitive acts that construct girl- and womanhood. I focus my analysis of a Finnish family photo album and an autobiographical interview of one of the sisters in the photographs on points of...
作者:Courtney Lee Weida , Carlee A. Bradbury , Karie Edwards
来源:[J].Visual Culture & Gender, 2013, Vol.8VCG
摘要:Inspired by the recently-discovered Staffordshire Hoard treasures from medieval times, a group of three researchers called the Guerilla Girlhood Guild created a contemporary “tween” hoard of personal possessions, installations, photographs of objects (e.g., cell phones, jewe...
作者:Evelin Stermitz
来源:[J].Visual Culture & Gender, 2013, Vol.8VCG
摘要:One contemporary feminist critical remix practice is to subvert a male/female dichotomy. In this essay, I discuss current aspects of remix and reediting criteria within feminist video works by women artists contextualized within feminist movements. I begin with a media criti...
作者:Elizabeth Brunner
来源:[J].Visual Culture & Gender, 2013, Vol.8VCG
摘要:Patriarchal visual rhetoric of containment, evident in contemporary media portrayals, particularly of women, systemically and institutionally oppresses women. How can women break free from the structures that restrict them? One strategy that I explore in this essay is an oppositi...
作者:Laura Evans
来源:[J].Visual Culture & Gender, 2013, Vol.8VCG
摘要:In photographer David Chancellor’s Safari Club (2012), hunters are captured with their kills in overstuffed trophy rooms of the hunters’ designed spaces. One photograph from the series is of a woman hunter and her trophies (see Figure 1). This photograph sparked my investiga...

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